Ataawood: Agustus 2012

Selasa, 28 Agustus 2012

[G328.Ebook] Ebook Free Braided Structures and Composites: Production, Properties, Mechanics, and Technical Applications (Composite Materials)From CRC Press

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Braiding is a very old textile manufacturing technology that traditionally has been used to produce items like ropes, shoe laces, and cables. Recently, braiding has gained attention in the medical, aerospace, transportation, and civil engineering communities, among others, due to its ability to produce structures that can fulfill the explicit demands imposed by these technical sectors.

Braided Structures and Composites: Production, Properties, Mechanics, and Technical Applications provides a single source of cutting-edge information on braiding and its applications. Featuring chapters authored by leading experts in their respective fields, this first-of-its-kind book:

Explains the basic principles of braiding technology for industrial textiles, composites, and products
Identifies the key parameters that influence the braiding process and its produced structures
Shows how to control these parameters to achieve the desired material characteristics
Discusses braided structure modeling and analysis techniques and software tools
Describes various application requirements and their design solutions

Braided Structures and Composites: Production, Properties, Mechanics, and Technical Applications supplies a critical understanding of braiding from concept to product design and application. This book is vital to the development of multifunctional products with highly specific features using braiding technology.

Sales Rank: #1741036 in Books
Published on: 2015-08-05
Original language: English
Number of items: 1
Dimensions: 9.20" h x .90" w x 6.20" l, 1.70 pounds
Binding: Hardcover
324 pages

Review

"This book is an excellent contribution to the technical application of braided structures. The contents are well laid out and diversified. It features a variety of important topics concerning the structure, manufacture, properties, modeling, and applications of braids. It also includes excellent examples of the use of braided structures for the reinforcement of composite materials. … The advantage of this book is that it covers the most important topics concerning braiding technology in one single volume. … It is advised to students, researchers, and manufacturers concerned with braiding technology and its applications, including composite materials reinforcement."
―Mario de Araujo, University of Minho, Guimar�es, Portugal

"To the best of my knowledge, braided reinforcements have received little previous coverage. … This new publication could become the standard reference work for anyone interested in using these much-neglected reinforcement forms for high-performance composites."
―Dr. John Summerscales, CEng, CEnv, CSci, University of Plymouth, UK

About the Author

Sohel Rana is the scientific manager in the Fibrous Materials Research Group at the University of Minho, Guimar�es, Portugal. He obtained his bachelor’s degree in textile technology from University of Calcutta, India, and his master’s degree and Ph.D in fiber science and technology from the Indian Institute of Technology, Delhi. Dr. Rana is the author of one book, more than 10 book chapters, two keynote papers, and more than 80 publications in various refereed journals and international conferences. Currently, he is editing four books on composites and nanomaterials. He is also an editorial board member and potential reviewer for numerous scientific journals.

Raul Fangueiro is a professor and researcher in the School of Engineering at the University of Minho, Guimar�es, Portugal. He is also the coordinator of the University of Minho’s Fibrous Materials Research Group. He holds a Ph.D in textile engineering, has published more than 120 scientific articles in refereed journals, has presented more than 350 communications in international conferences, and is the author and co-author of 14 technical books and 12 patents. He is a European Textile Platform expert, an editorial board member of several scientific journals, and the coordinator of the FIBRENAMICS International Platform (www.fibrenamics.com).

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Kamis, 23 Agustus 2012

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��•� Costa Book Award for First Novel finalist
��•� Dagger Award finalist

"Kate Hamer’s gripping debut novel�immediately recalls the explosion of similarly titled books and movies, from Stieg Larsson’s The Girl With the Dragon Tattoo and its sequels, to The Girl on the Train to Gone Girl … "—Michiko Kakutani, The New York Times

“Keeps the reader turning pages at a frantic clip... What’s most powerful here is not whodunnit, or even why, but how this mother and daughter bear their separation, and the stories they tell themselves to help endure it.” —Celeste Ng (Everything I Never Told You)

“Compulsively readable...Beautifully written and unpredictable, I had to stop myself racing to the end to find out what happened.” —Rosamund Lupton (Sister)�

“Both gripping and sensitive — beautifully written, it is a compulsive, aching story full of loss and redemption.” —Lisa Ballantyne (The Guilty One)

"Hamer’s dark tale of the lost and found is nearly impossible to put down.” —Booklist

Newly single mom Beth has one constant, gnawing worry: that her dreamy eight-year-old daughter, Carmel, who has a tendency to wander off, will one day go missing.

And then one day, it happens: On a Saturday morning thick with fog, Beth takes Carmel to a local outdoor festival, they get separated in the crowd, and Carmel is gone.

Shattered, Beth sets herself on the grim and lonely mission to find her daughter, keeping on relentlessly even as the authorities tell her that Carmel may be gone for good.

Carmel, meanwhile, is on a strange and harrowing journey of her own—to a totally unexpected place that requires her to live by her wits, while trying desperately to keep in her head, at all times, a vision of her mother …

Alternating between Beth’s story and Carmel’s, and written in gripping prose that won’t let go, The Girl in the Red Coat—like Emma Donoghue’s Room and M. L. Stedman’s The Light Between Oceans—is an utterly immersive story that’s�impossible to put down . . . and impossible to forget.

Sales Rank: #48259 in Books
Published on: 2016-02-16
Released on: 2016-02-16
Original language: English
Number of items: 1
Dimensions: 9.30" h x 1.10" w x 6.30" l, 1.25 pounds
Binding: Hardcover
336 pages

Amazon.com Review
An Amazon Best Book of February 2016: It’s every parent’s nightmare: Beth, a single mother, takes her 8-year-old daughter, Carmel, to a local festival for some fun and frivolity and she vanishes. What follows is an unusual and terrifying journey for them both. Kate Hamer’s sophisticated debut, The Girl in the Red Coat, is no ordinary whodunit, nor does it resort to over-the-top prurience to get under your skin. In many ways, this makes it even more chilling, as Hamer masterfully manipulates the reader into anticipating the worst with each (frantically) turned page. But ultimately it’s two parallel tales of survival: How does Beth press on in the face of paralyzing shame and worry? How does Carmel keep her wits about her in a frightening and complex situation beyond her comprehension? What gives this novel unexpected power and heart are the ways in which they find to hold onto themselves. --Erin Kodicek

From Publishers Weekly
British single mother Beth knows her eight-year-old daughter, Carmel, has a tendency to wander�€”at a local corn maze, on school trips�€”but one foggy day, the girl vanishes at a local festival and cannot be found. A man who claims to be Carmel's grandfather convinces her that Beth has been in a terrible accident, so Carmel leaves the fairgrounds with him and winds up at a secluded home with the man and his female companion, Dorothy. As Beth frantically searches and slowly isolates herself from the outside world, Carmel is told after careful manipulation that her mother has died, and soon finds herself in America with her new "grandparents," who work as spiritualist healers. Carmel fights to remember her past, but as time passes and she crisscrosses the country, her old life begins to fade. It takes everything in her to remember her name, her address, and her parents. Hamer's spectacular debut skillfully chronicles the nightmare of child abduction. Telling the story in two remarkable voices, with Beth's chapters unfurling in past tense and Carmel's in present tense, the author weaves a page-turning narrative. The trajectories of the novel's two leads�€”through despair, hope, and redemption�€”are believable and nuanced, resulting in a morally complex, haunting read. (Feb.)\n

Review
An ELLE Lettres Readers' Prize Winner

“Kate Hamer’s gripping debut novel immediately recalls the explosion of similarly titled books and movies, from Stieg Larsson’s The Girl With the Dragon Tattoo and its sequels, to The Girl on the Train to Gone Girl … What kicks The Girl in the Red Coat out of the loop of familiarity is Ms. Hamer’s keen understanding of her two central characters: Carmel and her devastated mother, Beth, who narrate alternating chapters … Both emerge as individuals depicted with sympathy but also with unsparing emotional precision.” —Michiko Kakutani, The New York Times

“This stunning debut...has the propulsion of a thriller.” —People

“Every sentence in Kate Hamer's debut is so perceptive that you're torn between wanting to linger on the thought and itching to learn what happens next...The taut plot alternates between Carmel's emotional struggle to survive and Beth's refusal to believe that her daughter is gone forever. Meanwhile, their complex yet unbreakable bond is rendered with honesty and love.”—Oprah.com

“Keeps the reader turning pages at a frantic clip . . . What’s most powerful here is not whodunit, or even why, but how this mother and daughter bear their separation, and the stories they tell themselves to help endure it.” —Celeste Ng, author of Everything I Never Told You
�
“Hamer’s book is a moving, voice-driven narrative. As much an examination of loss and anxiety as it is a gripping page-turner, it’ll appeal to anyone captivated by child narrators or analyses of the pains and joys of motherhood.” —Huffington Post

“Riveting. Worth the hype.”—Book Riot

“Compulsively readable . . . Beautifully written and unpredictable . . . I had to stop myself racing to the end to find out what happened . . . Kate Hamer catches at the threads of what parents fear most—the abduction of a child—and weaves a disturbing and original story. There is menace in this book, lurking in the shadows on every page, but also innocence, love, and hope.” —Rosamund Lupton, author of Sisters
�
“Gripping and sensitive—beautifully written, The Girl in the Red Coat is a compulsive, aching story full of loss and redemption.” —Lisa Ballantyne, author of The Guilty One

“[A] spectacular debut … Telling the story in two remarkable voices, with Beth’s chapters unfurling in past tense and Carmel’s in present tense, the author weaves a page-turning narrative. The trajectories of the novel’s two leads—through despair, hope, and redemption—are believable and nuanced, resulting in a morally complex, haunting read.” —Publishers Weekly, starred review

“Reading this novel is a test of how fast you can turn pages.”�—Library Journal, starred review

“Hamer’s lush use of language easily conjures fairy-tale imagery, especially of dark forests and Little Red Riding Hood. Although a kidnapped child is the central plot point, this is not a mystery but a novel of deep inquiry and intense emotions. Hamer’s dark tale of the lost and found is nearly impossible to put down and will spark much discussion.”�—Booklist, starred review

“Poignantly details the loss and loneliness of a mother and daughter separated...Fast-paced ... Hamer beautifully renders pain, exactly capturing the evisceration of loss...Exquisite prose surrounding a mother and daughter torn apart.”�—Kirkus Reviews

Most helpful customer reviews

84 of 90 people found the following review helpful.
Will Carmel and Beth be reunited?
By Ameya
Eight-year-old Carmel Wakeford goes missing. This is the second time she has disappeared in front of her mother’s eyes, despite Beth’s extremely watchful eye. Then we fork out into two voices, Carmel’s and Beth’s.

As a parent, I have to admit that I didn’t find the initial part of the reading pleasant, always worried I would find out the ‘real reason’ Carmel had been abducted.

The things I liked:
1. The way that Beth’s vigilance around Carmel is pictured before her daughter goes missing.
2. Beth’s ongoing grief and self-blame, and her reaction to everyone’s blame, especially her ex-husband, Nick’s, once Carmel goes missing.
3. The way that Beth doesn’t go off to drown her sorrow by falling into some man’s arms, and that she eventually finds a constructive aim in life.
4. The female friendships between Carmel and Melody especially, but also Silver in the end.

The things that weighed the book down:
1. Carmel’s telling: I sigh very deeply when supposed 8-year-olds use long words, then try to explain how they know such a word because some adult has told them what it means, or has used it, or whatever… It’s such a storytelling device that makes me feel as the reader that the author is intruding in the story.
2. How the ‘grandfather’ just knows so much about her. That is never explained.
3. How the ‘grandfather’ even came to the small town and located Carmel is not convincingly told.
4. The repetitiousness of the itinerant lifestyle. I found the middle of the novel is a great soggy blob.
5. The lack of an explanation as to what led to the denouement: was it Nick’s private eye, the police efforts in the UK, Melody’s intervention, Carmel’s breadcrumb clues? Heck, even the police at the church gathering didn’t seek Carmel out! I won’t be reading any sequel to find out. There’s only so much juice you can wring from a story, and this story has all its juice wrung out already.
6. What happened to Mercy?
7. The lack of the ending for Beth and Carmel. There may be readers who like the author to leave the telling of the ending, for the reader to pick up the pieces. But as far as I’m concerned, the greatest authorly satisfaction would have been for Kate Hamer to write the emotions that play out at the end of this novel. Not doing so is a cop out. It was the opportunity to let the author’s juices flow and really get into the emotional resolution. No, there was none for the reader. Instead there is only a plot resolution, and that only barely just.

I did struggle to read the middle two-thirds of the book. I didn’t find the novel suspenseful, the only question keeping me turning the pages being: will Carmel and Beth be reunited?”

32 of 34 people found the following review helpful.
A good debut
By M. Wanchoo
This was a thriller with an interesting hook, a child goes missing and what happens next over a period of five years. Beth and her daughter Carmel are the protagonists through whom we see the story unfold. This was an extremely emotional story that keeps you invested by its POV switches, plot twists and smooth pace. I enjoyed this story in spite of its predictable nature and thought that this was a good debut that shines through in spite of its flaws

17 of 18 people found the following review helpful.
A compelling first debut and worthy of a read
By RW
Beth has a daughter named Carmel who tends to disappear but potentially has a propensity for unusual "Powers." Beth is divorced from her husband, Paul who is Carmel's dad at the time she goes to a Festival with Carmel and she disappears. Where she goes and the story that unfolds surrounding Carmel is the crux of the story and is told entirely from Carmel's point of view. I would guess that 2/3 of the book relates to her predicament and her feelings toward what has happened to her while the other third is relating to what Beth does to find Carmel and what is going through her mind.

Do not mistake this for a traditional thriller as there is very little with regard to the investigative portion of the search. The story really revolves around Carmel's thought process during her plight, how she deals with it and what mainly, the evolution of her emotions as time goes by. Although what happened to Carmel is revealed very early in the book it would be a spoiler to mention it, but that situation is very unique and emotionally interesting.

I am not sure Beth's thoughts were fully explored during this book of which the copy I read was just 324 pages but I am not sure that was the point of the book. The pages do turn although the authors writing style can be a bit hard to follow with her wistful ways at times. Perhaps trying to do too much with visually painting a picture rather than telling the story directly to the reader.

I have not read some of the books that this novel has been compared to other than say, Gone Girl or Girl on the Train but both of those are better books than this one in my opinion. Certainly the emotional side explored with Carmel is compelling and worthy of a read, however.

Note to the potential reader: Do not page forward in this book to see how many pages it is as if you look at the title of the last chapter it gives away part of the suspense in this book.

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Minggu, 19 Agustus 2012

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Sales Rank: #997871 in Books
Published on: 2013-02-07
Released on: 2013-02-07
Original language: English
Dimensions: 6.88" h x .12" w x 4.25" l,
Binding: Paperback
52 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
pamphlet, really.
By Nancy E. Griffin
Was a very short book. I don't know what I was expecting honestly. Cute, but didn't really answer any questions.

0 of 0 people found the following review helpful.
Surgery that's no fun outlined in a book filled with Love and Laughter
By Acashic
Essential reading, Hysterical Hysterectomy will make the whole procedure a safer more enjoyable experience

Oh, how I wish that I had this book before I went into hospital for my hysterectomy! We are talking major surgery here.

If you or anyone you know is having or thinking about having a hysterectomy this is a must read.

Knowledge in this situation is like gold, major surgery should automatically demand extensive literature, but in this case sadly not.

Great book with super ways of looking at the situation before and after surgery.

0 of 0 people found the following review helpful.
Meh...
By Diana A. Gurgens
It was cute and all, but nothing more than a few pages. And, in all honesty, it was nothing more than information that could be found by doing a Google search. I felt like I was ripped off - pretty sure my husband could write this book.

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Jumat, 17 Agustus 2012

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Sales Rank: #3599263 in Books
Published on: 1975-01
Binding: Mass Market Paperback
830 pages

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0 of 0 people found the following review helpful.
Vintage Heinlein
By Mary S.
This has been a favorite of mine for years. Vintage Heinlein and a marvelous lead-in to his later work such as Time Enough for Love and To Sail Beyond the Sunset.

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[T179.Ebook] Download PDF Surface Wetting: Characterization, Contact Angle, and Fundamentals, by Kock-Yee Law, Hong Zhao

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This book describes wetting fundamentals and reviews the standard protocol for contact angle measurements. The authors include a brief overview of applications of contact angle measurements in surface science and engineering. They also discuss recent advances and research trends in wetting fundamentals and include measurement techniques and data interpretation of contract angles.

Sales Rank: #1278239 in Books
Published on: 2015-11-19
Original language: English
Number of items: 1
Dimensions: 9.21" h x .44" w x 6.14" l, .0 pounds
Binding: Hardcover
162 pages

From the Back Cover
This book describes key basic concepts in surface and clarifies fundamental issues that lead to misconceptions in wetting and contact angle interpretation. A set of contact angle measurement protocols is summarized and may be served as guidelines for future standardization in this field. The authors also discuss issues related to surface definitions and terminologies.

About the Author
Dr. Kock-Yee Law is a researcher in nanotechnology and surface design with over 120 peer-reviewed publications and 105 granted US patents to date. Dr. Hong Zhao is an Assistant Professor at Virginia Commonwealth University, School of Engineering, Mechanical, and Nuclear Engineering.�

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Sabtu, 11 Agustus 2012

[R233.Ebook] Fee Download How We Die: Reflections on Life's Final Chapter, by Sherwin B. Nuland

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There is a vast literature on death and dying, but there are few reliable accounts of the ways in which we die. The intimate accounts of how various diseases take away life offered in How We Die, is not meant to prompt horror or terror but to demythologize the process of dying. Though the avenues of death -- AIDS, cancer, heart attack, Alzheimer's, accident, and stroke -- are common, each of us will die in a way different from any that has gone before. Each one of death's diverse appearances is as distinctive as that singular face we each show during our lives. Behind each death is a story. In How We Die, Sherwin B. Nuland, a surgeon and teacher of medicine, tells some stories of dying that reveal not only why someone dies but how. He offers a portrait of the experience of dying that makes clear the choices that can be made to allow each of us his or her own death.

Sales Rank: #784973 in Books
Published on: 2008-06-26
Original language: English
Dimensions: 8.25" h x 5.25" w x .75" l,
Binding: Library Binding

From Publishers Weekly
A physician who teaches at the Yale School of Medicine, Nuland writes gracefully about a topic most of us would rather not dwell on--our impending deaths. He demystifies the process of dying by providing straightforward information on the clinical, biological and emotional details of deaths resulting from heart disease, stroke, cancer, AIDS, Alzheimer's disease, old age, accidents, suicide, euthanasia and murder or violent physical assault. Crammed with intriguing scientific findings and useful facts, as well as case histories of dying patients whom Nuland ( Doctors: The Biography of Medicine ) has treated, his report is imbued with wisdom rooted in a belief that the dignity we seek in dying must be found in the art of living life to the fullest. 50,000 first printing.
Copyright 1994 Reed Business Information, Inc.

From Booklist
Drawing upon his own broad experience and the characteristics of the six most common death-causing diseases, Nuland examines what death means to the doctor, patient, nurse, administrator, and family. Thought provoking and humane, his is not the usual syrup-and-generality approach to this well-worn topic. Fundamental to it are Nuland's experiences with the deaths of his aunt, his older brother, and a longtime patient. With each of these deaths, he made what he now sees as mistakes of denial, false hope, and refusal to abide by a patient's wishes. Disease, not death, is the real enemy, he reminds us, despite the facts that most deaths are unpleasant, painful, or agonized, and to argue otherwise is to plaster over the truth. The doctor, Nuland stresses, should instill in dying patients the hope not for a miraculous cure but for the dignity and high quality of the remainder of their lives as well as of what they have meant--and will continue to mean--to family, friends, and colleagues. Nuland also has strong feelings about suicide and "assisted death": the doctor should be prepared psychologically and practically to help the longtime patient slip off the scene in relative comfort. William Beatty

From Kirkus Reviews
A sobering look at the clinical reality of death by a physician who wants it known that ``we rarely go gentle into that good night.'' Nuland (Yale Medical School; Doctors, 1988) takes the position that if we know the truth about the physical process of dying, we can rid ourselves of both our fears and our false expectations. By becoming familiar with the common patterns of illness, he says, we'll be better prepared to make appropriate decisions about continuing treatment or calling it quits. Nuland selects several common causes of death--heart attack, old age, Alzheimer's, violence, AIDS, and cancer--and, with unrelenting honesty and unsettling detail, shows precisely what happens to the body involved. His account of the decline and death of his grandmother--with whom he shared a bedroom until he was in his late teens and she in her late 90s--is unforgettable, as is his story of his well-intentioned mismanagement of the care of his older brother when he was dying of cancer. The emotional impact of these stories is quite different from that produced by the author's coldly clinical accounts (``a specific sequence of events takes place in people who bleed to death. At first, they will usually hyperventilate...''); but by demonstrating that dying is usually a messy business, Nuland succeeds in demythologizing death. His message is that the dignity we seek in dying must be found not in our final weeks, days, or moments--but in how we've lived our lives. Strong stuff: not for those who prefer to cling to comforting illusions about life's end. -- Copyright �1993, Kirkus Associates, LP. All rights reserved.

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18 of 19 people found the following review helpful.
My Husband Died In My Arms.....
By Jan
This book was a guiding light for me as I witnessed my sweet husband exhibit these symptoms and signs that death was near. He was not yet in hospice, but palliative care. We were alone here at home together just as he had wanted to be. I learned not to force liquids or food which is a mistake I would have undoubtedly made. Knowing brought peace and I'm grateful that a lot of medical people were not involved at the time of his death. He died from prostate cancer that had spread to his bones/skull, etc. Sunday, February 21,2016 in my arms.

6 of 6 people found the following review helpful.
Meaningful, timely, and thought-provoking
By Masked Pelican
For some who have experienced or are experiencing the process of dying with a loved one, or even a stranger, this book may be helpful. It explains in relatively lay terms what happens in the body as the body ages (starting around age 20) and what the impacts of that aging process are over time. It also talks about those aging processes in relation to death. As a non-medical type, it is helpful to me to understand more about the physical processes at work in the course of disease and dying. It doesn't make them easier to witness, but it gives a road map to begin to understand what's happening in the body as various symptoms present along the way. I truly appreciate Dr. Nuland's honesty and directness about the fact that the human organism is not built to last forever. While intellectually 'knowing' this, most of us live in denial about it, and thus are terrified when we're presented the experience of watching someone die. Hopefully this book will help more people with understanding the process.

It also begs farther-reaching questions about the appropriateness of some medical treatments at certain life and disease stages as well as the persnickety question about allocating our diminishing resources for offering expensive medical treatments to all. As we age, at what point does it become selfish to take the resources away from younger, more viable bodies when we have lived good, long lives? If we weren't afraid or accepting of death, how would we behave differently?

7 of 7 people found the following review helpful.
Peace in living peace in dying
By bulent
The book needs to be taken very seriously I have personally lived a tragedy recently I have lost my beloved wife during the 15 months of desperate fight against the great killer she and us has suffered all the terrible medical interventions with no benefit at all Medicine needs a totally different approach for terminal ilnesses

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Senin, 06 Agustus 2012

[J394.Ebook] Ebook Free May We Shed These Human Bodies, by Amber Sparks

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May We Shed These Human Bodies peers through vast spaces and skies with the world's most powerful telescope to find humanity: wild and bright and hard as diamonds. Here is humanity building: families reconstruct themselves, mothers fashion babies from two-by-fours and nails, boys make a mother out of leaves and twigs and wishes. Here is humanity tearing down: a wife sets her house on fire in revenge, a young girl plots to kill the ghosts that stalk her, a dying man takes the whole human race with him. Here is humanity transforming: feral children, cannibalistic seniors, animal wives—a whole sideshow's worth of oddballs and freaks.

Sales Rank: #263954 in Books
Brand: Brand: Curbside Splendor Publishing
Published on: 2012-10-09
Original language: English
Number of items: 1
Dimensions: 7.99" h x .36" w x 5.00" l, .39 pounds
Binding: Paperback
150 pages

Features

Used Book in Good Condition

Review

"Sparks’s debut story collection swirls with a Tim Burton-like whimsy…modern fables in which epiphanies replace moral lessons and tales unfold with Grimm-like wickedness.
— Publishers Weekly

"Best Small Press Debut of 2012."
— The Atlantic

"Sometimes all it takes is a few sentences to knock you off your rocker. Or at least that’s the case in Sparks’s debut collection, which packs 30 short short stories, each its own modern fable, into one handsome book.
— Flavorwire

"There was Aesop, Thomas Bulfinch, Edith Hamilton, Angela Carter—and now there is Amber Sparks with a new take on the fable. May We Shed These Human Bodies is a clever, scary, and charming debut collection full of great imagination."
— Michael Kimball, author of Big Ray and Dear Everybody

About the Author

Amber Sparks is the author of May We Shed These Human Bodies, released by Curbside Splendor in 2012. Her work has been widely published in print and online and you can find some of it at ambernoellesparks.com or follow her on Twitter @ambernoelle.

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8 of 10 people found the following review helpful.
Magical stories that reveal the truth in us all.
By Richard Thomas
THIS REVIEW WAS ORIGINALLY PUBLISHED AT THE NERVOUS BREAKDOWN.

As its title suggests, May We Shed These Human Bodies (Curbside Splendor) by Amber Sparks is a collection of stories that is grounded in reality, but often has a hint of the surreal, the supernatural, woven into its fabric. The power in these stories comes from the awareness that a life is at a tipping point, and the assignment of emotional weight to everyday events we typically ignore. Just out of sight, behind the curtain, in the shadows, strange things are happening--dark moments that echo our secrets and lies.

Many of the stories utilize lists and numbers to condense great yawning chasms of time, place, and horror into compact observations that leave us dented and eager for repair. Take this passage from "The Chemistry of Objects," which elevates a common canister to sinister and far-reaching proportions:

"Exhibit 5WW: Metal Canister. Discovered at Majdanek, 1944.

The casual observer may, at first glance, mistake the canister behind the glass for a dented coffee can. The label is almost entirely gone, the faded gold paper clinging in shreds to the flaking, rusted metal. But if the visitor looks closely at the largest shred they may make out a group of small black letters, gone indigo with age and sun. Giftgas! the letters shout. How funny it sounds, like a children's party favor. How exciting! A handful of bright plastic packets. Laughing gas tied off with curled satin ribbons.

But the letters do not shout in English, and the contents of the canister were never meant to be merry. The word is German. The English translation: poison gas. This can is not a coffee can, and it has never contained beans or laughing gas or party favors; it has instead poured pellets of gas into sealed chambers through special vents, smothering those inside. Polish Jews who'd never seen the sea, drowned in their own blood."

What Amber Sparks does so well here is conjure up a memory of genocide by merely staring at a canister in a display case. To one person the meaning and graphics are merely an amusement, a bit of history, one moment in a sea of other moments. But to many others this object is horrific, emblematic of a greater evil in the world, one that cut a wide swath of destruction. And this is how she pulls us in and tears us apart--by using history, mythology, magic and the unknown to tell us her fables and dark truths.

In one of my favorite stories in the collection, "The World After This One," Sparks tells us the story of two very different sisters. Esther is the reliable one, the conservative and worrisome sister, while Ellie is the wandering beauty, lost in her thoughts, lost in the world, connecting in whatever ways she can. This touching story about family is accurate in its depiction of how siblings relate. One day you're defending your sister, saving her from the wretched grip of a dark and violent world, and the next day you're dispensing judgment yourself--questioning her actions, yelling at her for being irresponsible and aloof. Take this moment from early in the story:

"Once, when Esther was in college, she told her father she was going on a Youth Ministry camping trip. Instead she drove the three hours to the city, picked up Ellie and took her to the shore for a week.

Ellie grew obsessed with the slot machines. On the beach, she gave her room number to several strange men. Esther had to keep answering the door in the middle of the night and explaining to seedy men with goatees that her sister wasn't well.

Why would you want to sleep with all those people? Esther had asked her sister, exasperated and sad. Ellie had smiled. In just two days of sun her hair had gone nearly white and a big chunk of it fell over her eye, making her look like a sunburned Veronica Lake.

I'm allowing them to become gods, she had explained helpfully. Esther has not taken her anywhere since."

There is a gentle and gracious wisdom in the words of Ellie, even if she is na�ve and a victim in the making. It's unclear which is worse--taking these chances that are sure to lead to trouble, or separating yourself from the world so that you can never get hurt?

There are insights in these stories, moments where Sparks sheds light on a wide range of emotional truths, leaving us nodding our heads, searching for breath, trying to quiet our beating hearts. In "You Will Be the Living Equation" we touch on the subject of loss and pain and the kinds of people that approach us in our grief. The first kind sympathizes and offers up their own memories of grief. This is the second:

"The second kind will sit with you in silence. They will have nothing to say, because they will understand that pain is not something that can be shared or solved, that pain is not a checklist or a questionnaire. They will understand that pain is not only loss, is not only sad, is not only one thing and not sometimes another thing altogether. That pain is not quantitative, but that it can be marked off with chalk lines on a cell wall just the same. That pain is not a landscape, and yet we carefully map its roads, its quick peaks, its long dips and even the smudges on the page that obscure intention or effect. That pain is not psychic, but that it does sometimes offer a moment of brief, bright clarity."

And isn't that so true? This is such a concise and brilliant observation. And whether Sparks it talking about loss and grief, or the way that a child's hand tucked inside your own can fill your heart with peace and love--we are constantly rewarded with moments of depth, and consideration for our own frenetic lives.

I'm always drawn to the darker aspects of life, because I find it interesting to see how people deal with conflict and chaos, how characters reveal their true nature in these accelerated moments of anxiety and despair. Amber Sparks is not afraid to step into the darkness and paint bleak portraits of consequence and pain. Take this passage from "When the Weather Changes You":

"You have them, she said, her voice surprisingly deep and strong. You have them in your heart, too. Just like me. Her face was purple and mottled, and her mouth collapsed into itself like a rotten fruit.

What, Gramama, I asked, trying not to get too close. The sour smell of death was in the bedclothes. What do I have in my heart?

Ashes, she said. Your heart is full of ashes."

And this:

"After a while, it became common to see strange snow angels here and there. Dead children splayed in dreadful poses, wingless and blue and covered in ice. The crows would circle in frustration, bewildered by the slow rate of decomposition and decay, unable to peck at the eyeballs hard as glass."

First, this is a horrible thing to say to your great-granddaughter--unless of course, it's true. Then it's something of a gift, isn't it? But the second paragraph, the crows pecking at the frozen eyes of the fallen children, it's a powerful image, haunting and disturbing, stealing a moment from our childhood, these snow angels, and turning them into angels of death.

In this powerful debut collection of short stories, May We Shed These Human Bodies, Amber Sparks has written a surreal love letter to our past histories--placed a message in a bottle and dropped into a raging sea, so that our future loves may hear what we have to say. Maybe these notes will declare our steadfast loyalties and maybe they will be riddled with dark threats and doomsday predictions. Either way, they will certainly not be meek.

2 of 2 people found the following review helpful.
Fairy Tales for the 21st Century
By Sara
Copy received through the Goodreads First Reads program.

"There were no books in the Afterwards, which the people thought was some serious bullshit." I fell in love with that line instantly, and it's only 3 pages into the book!

What an odd little collection of short stories. I don't mean that in a disparaging way at all--I think there was only one story in here that didn't really work for me. Several stories toy with experimental story structure, which often puts me off. Here, though, it works. The overarching tone of these tales makes any sort of deviation from the standard seem like a completely natural fit.

Amber Sparks has written diverse set of extremely short, off-kilter, whimsical tales. Many of the stories in this collection are inspired by fairy tales, either directly or in flavor. They are quite short, too. The longest is 12 pages, but there are many that are only a page or two long.

The thing that strikes me most about these stories is how much Sparks says by NOT saying it. One of my literature professors explaining the "iceberg theory" and Hemingway's writing style. The most important elements of the story lie in what is NOT said. 90 percent of an iceberg is below the water's surface, and 90 percent of the meaning of a story lies below the surface, too. The stories in May We Shed These Human Bodies take up a lot more space than the slim volume would indicate.

This is a solid literary effort. I'm looking forward to reading more from Sparks.

2 of 2 people found the following review helpful.
Captivating immediately and continuously
By Warren Henderson
I haven't read a lot of short stories recently. I hope this collection doesn't spoil me for others. I found nearly every story captivating, evocative, tightly written and satisfying at the end. Yes, a lot of them tend to be "dark" but it's not darkness borne of hopelessness or pessimism. Rather, it's more often than not a dark magic, a look at aging or death or tragedy or mystery that celebrates what happens or happened without bemoaning it. I often found myself wanting to stop after every story or two to better absorb what I'd just read. Before I read May We Shed These Human Bodies I had no idea what to expect. Now I have no idea to what I can compare it. I loved the collection and can't wait for Ms. Sparks' next collection to be published (toward the end of next January, according to what I'm reading).

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Minggu, 05 Agustus 2012

[H790.Ebook] Get Free Ebook Psychology of Success, by Denis Waitley

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Psychology of Success introduces the fundamental psychological principles of success―principles applicable to everyone regardless of age, background, or specialty.

Unlike many psychology books, Psychology of Success doesn’t take a one-size-fits-all approach. Instead, it asks you to take an active role in defining what is right for you as an individual. Psychology of Success calls on you to use self-awareness and critical thinking strategies to examine your dreams, values, interests, skills, needs, identity, self-esteem, and relationships. This will help you set and achieve goals that are in harmony with your personal vision of success.

Sales Rank: #158125 in Books
Published on: 2015-01-12
Original language: English
Number of items: 1
Dimensions: 11.00" h x 1.25" w x 8.50" l, .0 pounds
Binding: Paperback
432 pages

About the Author
Denis Waitley is a world-renowned expert and motivational speaker on human performance and potential. Best known as the author/narrator of The Psychology of Winning, he has helped millions of people throughout the world in their quest for personal excellence. He is the author of several best-selling books, including Seeds of Greatness, The Winner’s Edge, Being the Best, and Empires of the Mind. His newest book, The Dragon and The Eagle, compares the challenges facing both China and America in education and business as they attempt to survive and thrive together in a rapidly changing world.

Long recognized as an authority on high-level achievement, Dr. Waitley has counseled leaders in every field, from CEOs to Super Bowl champions. He has lent his understanding and expertise to American astronauts and POWs. Dr. Waitley has also served as Chairman of Psychology on the U.S. Olympic Committee’s Sports Medicine Council, dedicated to the performance enhancement of Olympic athletes.

One of the country’s most sought-after speakers, Denis Waitley was named Outstanding Platform Speaker of the Year by his peers and elected to the International Speakers’ Hall of Fame. He is a graduate of the U.S. Naval Academy at Annapolis and holds a doctorate in human behavior.

Dr. Waitley was a founding director of the National Association for Self-Esteem and has been a consultant to the President’s Council on Vocational Education and the International Parenting �Association.

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