Ataawood: Agustus 2014

Rabu, 27 Agustus 2014

[J528.Ebook] Free PDF Terminator 2: Judgment Day, by Randall Frakes, James Cameron, William Wisher

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A handbook of this blockbuster film. Over 700 photos, with a 16-page color section and stills from footage NOT seen in the film. Over 90 detailed annotations chronicling the production and storyboards mapping out the film's strategy.

Sales Rank: #1008564 in Books
Published on: 1991-06-01
Released on: 1991-06-01
Original language: English
Number of items: 1
Dimensions: .80" h x 4.20" w x 6.80" l,
Binding: Mass Market Paperback
240 pages

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12 of 12 people found the following review helpful.
Fantastic detailing of excellent film
By A Customer
I really enjoyed Terminator 2. It had some great scenes that the movie left out - like scenes with Kyle in the future and in Sarah's dream. Also had more characterization because you could read what the characters were thinking. Would have liked to have had the scene where the "learning chip" is turned on put in the movie. Mr. Frakes described a poignant moment when Miles Dyson dies. Highly recommend this book to all T1, T2, and sci-fi fans. Enjoy!

4 of 4 people found the following review helpful.
A Screenplay worth buying.
By Victoria Michelle Martinez
For anyone who is appreciative of the first two Terminator films, this is a very informative read. It comes with conceptual sketches and layouts of the film, giving the reader an idea of what the film was to become. Absolutely fantastic and well worth the price.

1 of 1 people found the following review helpful.
The movie script sold in book format
By Sarah Frost
This was pretty much the same as the movie script (which was fine with me as I love the movie), with a few extra scenes that didn't make it to the theatres. It was like watching the extras on the DVD and seeing the deleted scenes, I kept going "Oh, that didn't happen in the movie."

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Minggu, 24 Agustus 2014

[D569.Ebook] Download Ebook Looseleaf for Film History: An Introduction, by Kristin Thompson, David Bordwell

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Written by two of the leading scholars in film studies, Film History: An Introduction is a comprehensive, global survey of the medium that covers the development of every genre in film, from drama and comedy to documentary and experimental. As with the authors' bestselling Film Art: An Introduction (now in its eighth edition), concepts and events are illustrated with frame enlargements taken from the original sources, giving students more realistic points of reference than competing books that rely on publicity stills.

The third edition of Film History is thoroughly updated and includes the first comprehensive overviews of the impact of globalization and digital technology on the cinema. Any serious film scholar--professor, undergraduate, or graduate student--will want to read and keep Film History.

Visit the author's blog at http://www.davidbordwell.net/blog/

Instructors and students can now access their course content through the Connect digital learning platform by purchasing either standalone Connect access or a bundle of print and Connect access. McGraw-Hill Connect� is a subscription-based learning service accessible online through your personal computer or tablet. Choose this option if your instructor will require Connect to be used in the course. Your subscription to Connect includes the following:

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Sales Rank: #284839 in Books
Published on: 2011-05-23
Original language: English
Number of items: 1
Dimensions: 10.70" h x 1.10" w x 8.20" l, 3.10 pounds
Binding: Paperback
800 pages

About the Author
David Bordwell is Jacques Ledoux Professor Emeritus of Film Studies at the University of Wisconsin-Madison. �He �holds a master's degree and a doctorate in film from the University of Iowa. �His books include The Films of Carl Theodor Dreyer�(University of California Press, 1981), Narration in the Fiction Film�(University of Wisconsin Press, 1985), Ozu and the Poetics of Cinema�(Princeton University Press, 1988), Making Meaning: Inference and Rhetoric in the Interpretation of Cinema�(Harvard University Press, 1989), The Cinema of Eisenstein�(Harvard University Press, 1993),�On the History of Film Style�(Harvard University Press, 1997), Planet Hong Kong: Popular Cinema and the Art of Entertainment�(Harvard University Press, 2000), Figures Traced in Light: On Cinematic Staging�(University of California Press, 2005), The Way Hollywood Tells It: Story and Style in Modern Movies�(University of California Press, 2006), and�The Poetics of Cinema�(Routledge, 2008). �He has won a University Distinguished Teaching Award and was awarded an honorary degree by the University of Copenhagen. �His we site is www.davidbordwell.net.

Kristin Thompson is an Honorary Fellow at the University of Wisconsin-Madison. �She holds a master’s degree in film from the University of Iowa and a doctorate in film from the University of Wisconsin-Madison. �She has published�Eisenstein's Ivan the Terrible: A Neoformalist Analysis�(Princeton University Press, 1981), Exporting Entertainment: America in the World Film Market 1907-1934�(British Film Institute, 1985), Breaking the Glass Armor: Neoformalist Film Analysis�(Princeton University Press, 1988), Wooster Proposes, Jeeves Disposes, or, Le Mot Juste(James H. Heineman, 1992), Storytelling in the New Hollywood: Understanding Classical Narrative Technique�(Harvard University Press, 1999), Storytelling in Film and Television�(Harvard University Press, 2003), Herr Lubitsch Goes to Hollywood: German and American Film after World War I�(Amsterdam University Press, 2005), and�The Frodo Franchise: The Lord of the Rings and Modern Hollywood�(University of California Press, 2007). �She blogs with David at www.davidbordwell.net/blog. �She maintains her own blog, "The Frodo Franchise," at www.kristinthompson.net/blog. �In her spare time she studies Egyptology.

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Senin, 18 Agustus 2014

[F599.Ebook] Download Find Your Courage: 12 Acts for Becoming Fearless at Work and in Life [Paperback] [2008] (Author) Margie WarrellFrom McGraw-Hill

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Sabtu, 09 Agustus 2014

[W435.Ebook] Get Free Ebook Sabotage Art: Politics and Iconoclasm in Contemporary Latin AmericaFrom I.B.Tauris

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Sabotage Art: Politics and Iconoclasm in Contemporary Latin America provides a welcome shift of emphasis in amidst perennial redefinitions of “political art” in Latin America. Framing sabotage as a “positional choice with regard to the institution” allows Halart, Polgovsky Ezcurra and their collaborators to critically interrogate the longstanding association of Latin American art with struggle or “adversity” for both historical case studies and the market delirium over “contemporary art.” This book makes for an excellent teaching resource on overlooked artists such as Paulo Bruscky, Enrique Guzm�n, Marcos Kurtycz, and Edgardo Antonio Vigo, offers fresh examinations of canonized avant-gardes in Argentina and Chile, and considers recent participatory projects in Bogot� and Mexico City. Yet it is most valuable in the sum total of its discrete chapters, which together demonstrate a range of new methods for a field now hitting its stride.

Sales Rank: #4321483 in Books
Published on: 2016-04-28
Original language: English
Number of items: 1
Dimensions: 8.60" h x 1.10" w x 5.50" l, .0 pounds
Binding: Hardcover
256 pages

Review
This book is an excellent resource on both neglected and canonized Latin American artists and avant-gardes. The authors introduce a range of valuable new methods for a field now hitting its stride. (Daniel Quiles, Assistant Professor, Department of Art History, Theory and Criticism, The School of the Art Institute of Chicago 2016-03-14)

About the Author
Sophie Halart is an art historian specializing in contemporary Latin American art. She is currently completing her PhD on contemporary women artists in the Southern Cone at University College London. She has been a Graduate Teaching Assistant at University College London and a Visiting Teaching Fellow at the Universidad Alberto Hurtado, Santiago de Chile.

Mara Polgovsky is a Teaching Assistant at the University of Cambridge, where she received her PhD in Latin American Cultural Studies.

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Kamis, 07 Agustus 2014

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Heineken is known all around the world, but few of the drinkers who eagerly watch the foam rise in their glass have heard of the business ploys, marketing tricks and extraordinary characters that transformed the Dutch family business into a global brand. Taking us on a journey from a small brewery in Amsterdam in 1864 to the present day, The Heineken Story tells the remarkable and sometimes controversial true story of one of the world's largest brewing companies, and of Alfred 'Freddy' Heineken, the singular business man who secured its position. From spectacular takeovers and inspired marketing campaigns, to a kidnapping that brought in the largest ransom ever paid for an individual, this is a gripping account of the battle for the international beer market. Barbara Smit has experience writing on family drama, marketing and consumer culture, and in The Heineken Story she has put together a narrative that is meticulously researched, and fizzing with competition, personalities and betrayal.

Sales Rank: #2148757 in Books
Published on: 2014-11-06
Original language: English
Number of items: 1
Dimensions: 7.80" h x .91" w x 5.08" l, .70 pounds
Binding: Paperback
352 pages

Review
Praise for Pitch Invasion 'An anecdote-rich history of competition, commercialism and corruption Wall Street Journal An immensely readable romp Independent Smit gets behind the business proposals, marketing plans and constant dollar signs to focus on the human aspects of how these warring brands succeeded and why they faded. It is that human component that makes Pitch Invasion read like a modern cautionary tale for those apt to turn big business into the most dangerous of sports Washington Post Pitch Invasion is a breathless account of how the rivalry brought money and sharp branding into sport...Smit shows an unremitting focus on producing a page-turner...she pulls it off with aplomb Financial Times Like Dynasty rewritten by LeCarre Metro

About the Author
Barbara Smit is a journalist who has written about big businesses for the Financial Times, International Herald Tribune and others. This book builds on her unauthorised biography of Freddy Heineken published in 1996, which sold 70,000 copies in the Netherlands alone. She lives in France.

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